Robert of Luzarches (born in Luzarches near Pontoise towards the end of the twelfth century) was a French architect who worked on the cathedral of Notre Dame in Amiens.
He is said to have been summoned to Paris by King Philip II who employed him in beautifying the city, and to have had a share in the work on Notre Dame de Paris. The old Amiens cathedral was destroyed by fire in 1218 and Bishop Evrard de Fouilloy had it rebuilt in Gothic
style. An inscription made in 1288 in the "labyrinth" of the floor
(later removed) testified that the building had begun in 1220, and names
"Robert, called of Luzarches", as the architect, and as his successors,
Thomas de Cormont and the latter's son. The work was completed in later
centuries. Viollet-le-Duc sees a fact of great significance in the employment of the layman, Robert; but it is not accurate that in Romanesque times the architects were always bishops, priests, or monks. Robert was not long employed on the cathedral.
Under the successor of Bishop Evrard, who apparently died in 1222,
Cormont appears as the architect. Before 1240 Bishop Bernard put a choir
window in the provisionally completed cathedral. An intended alteration
of the original plan was not used in the finished building. In his day
it was called the "Gothic Parthenon". It is more spacious than Notre
Dame in Paris and considerably larger than the cathedral of Reims.
But Robert's creation became a standard, through France and beyond, on
account of the successful manner in which weight and strength are
counterbalanced and of the consistently Gothic style. The design
presents a middle aisle and two side aisles, though the choir has five
aisles and the transept has the width of seven aisles. The choir is flanked by seven chapels; that in the centre (the Lady chapel)
projecting beyond the others in French style. The nave is about 470 ft.
in length, 164 ft. in breadth (213 ft. in the transept), and 141 ft. in
height.
14th century architects:
Filippo Calendario:
Filippo Calendario (died 16 April 1355, in Venice, Italy) was an architect, a designer of the 14th century Doge's Palace, Venice. He was executed for treason.
Design of Doge's Palace
By the end of the 13th century the existing Doge's Palace in Venice needed enlarging. Rebuilding commenced around 1340,though interrupted for several years because of the plague.
Calendario is attributed by some sources as the first architect or,
at least, a collaborator. Calendario first appears in official records
in 1340, when he is described as a master of two small boats, used to
transport stone for construction. By 1341 he was the owner of five
boats. This makes it likely he was also a stonemason.
The new building was in the Venetian Gothic style, low and squat to cope with the poor ground conditionsHowever, the Palace is noticeably built in two phases and this is believed to be because, in 1355, Calendario was executed.
Conspiracy and execution
The new Doge of Venice, Marino Faliero
(elected 1354), had ambitions to become Lord of Venice. However, the
plot was uncovered and the conspirators arrested. Calendario was one of
those found guilty of treason and, with the leader of the conspiracy
Bertuccio Israello, sentenced to be hanged on 16 April 1355. They were
both hanged from the balcony of the new Palace, reportedly with gags in
their mouths. Calendario's son was also amongst the guilty men and later
he was also hanged from the building.
Recent Architects :
Adolf Loos:
Adolf Loos (1870-1933) ranks as one of the most important pioneers of
the modern movement in architecture. Ironically, his influence was based
largely on a few interior designs and a body of controversial essays.
Adolf Loos 's buildings were rigorous examples of austere beauty,
ranging from conventional country cottages to planar compositions for
storefronts and residences. His built compositions were little known
outside his native Austria during his early years of practice.
Adolf Loos was born in Brno (Bruenn), Moravia, now Czech republic, on
December 10, 1870. Adolf Loos was introduced to the craft of building at
an early age while working in his father's stone masonry shop. At the
age of seventeen. Adolf Loos attended the Royal and Imperial State
College at Reichenberg in Bohemia. In 1889 Adolf Loos was drafted for
one year of service in the Austrian army. From 1890 to 1893, Adolf Loos
studied architecture at the Technical College in Dres den. As a student,
Adolf Loos was particularly interested in the works of the classicist
Schinkel and, above all, the works of Vitruvius. Adolf Loos 's
developing tastes were considerably broadened during a three-year stay
in the United States, which began in 1893. The 23-year-old architect was
particularly impressed by what Adolf Loos regarded as the innovative
efficiency of U.S. industrial buildings, clothing, and household
furnishings. In 1896, Adolf Loos returned to Vienna where Adolf Loos
began working in the building firm of Carl Mayreder.
Albert Kahn:
Albert Kahn (1869-1942) was born in Rhaunen, Germany, the oldest son of a
rabbi. The Kahns and their six children emigrated to the United States
in 1880. Albert Kahn received his professional training as an apprentice
to an architect with the firm of Mason and Rice in Detroit.
In 1891, Albert Kahn was awarded a scholarship for a year's travel in
Europe. During his travels Albert Kahn met the young architect Henry
Bacon, and the two of them traveled together in Italy, France, Germany,
and Belgium. In 1896, Albert Kahn married Ernestine Krolik and formed a
partnership with George W. Nettleton and Alexander B. Trowbridge.
Trowbridge left to become dean of the Cornell University School of
Architecture in 1897, Nettleton died in 1900, and by 1902, Albert Kahn
was in practice alone. Albert Kahn 's practice is intenation-ally known
for industrial work; his more traditional designs are less well known.
Because Albert Kahn practiced in Detroit, Albert Kahn 's career closely
followed the growth of the automotive industry. Albert Kahn was
introduced to Henry B. Joy in 1902. Joy was instrumental in Albert Kahn
's selection for projects at the University of Michigan, and when Joy
became manager of the Packard Motor Car Co. in 1903, Albert Kahn was
named architeet for tbe company. That same year, Henry Ford founded the
Ford Motor Co.
Aldo Rossi:
Aldo Rossi (born 1931), one of the most influential architects during
the period 1972-1988, has accomplished the unusual feat of achieving
international recognition in three distinct areas: theory, drawing, and
architecture.
After receiving his architecture degree at the Polytechnic University in
Milan in 1959, Aldo Rossi served as a course assistant to prominent
architects Ludovico Quaroni and Carlo Aymonino. Aldo Rossi became a
faculty member in the School of Architecture in Milan in 1965 and at the
University in Venice in 1975. In addition to these regular
appointments, his growing fame brought him positions as a professor in
Zurich, Spain, and the United States.
Aldo Rossi 's career as a theorist began to take shape during the years
Aldo Rossi worked with Ernesto Rogers on the leading Italian
architecture magazine Casabella-Continuita (1955-1964). In 1966 Aldo
Rossi published the book The Architecture of the City, which
subsequently was translated into several languages and enjoyed enormous
international success. Spurning the then fashionable debates on style,
Aldo Rossi instead criticized the lack of understanding of the city in
current architectural practice. Aldo Rossi argued that a city must be
studied and valued as something constructed over time; of particular
interest are urban artifacts that withstand the passage of time. Despite
the modern movement polemics against monuments, for example. Aldo Rossi
held that the city remembers its past and uses that memory through
monuments; that is, monuments give structure to the city.
Frank Lloyd Wright:
If there is any one architect about whom the proverbial John Q. Public
knows something, it is surely Frank Lloyd Wright. People who have not
read a word of his writings do not hesitate to invoke his name.
Many who are not the least a word bit familiar with the principles of
organic architecture crave to live in a home designed by Frank Lloyd
Wright. Simon and Garfunkel have even sung about him. It is no
exaggeration to say that there is something of the legendary about Frank
Lloyd Wright. Further, Frank Lloyd Wright was a legend of sorts even in
his own time. In no small part, this was due to Wright 's flair for
self promotion and scandal-ridden personal life, as is made clear in a
recent biography of Frank Lloyd Wright, Many Masks. But Frank Lloyd
Wright 's genius and originality played a much greater role in the
creation of the Frank Lloyd Wright legend.
Gehry was born Frank Goldberg in Toronto, Canada, in 1929. Frank Gehry
moved to Los Angeles at an early age and completed his architectural
education at the University of Southern California. Frank Gehry
subsequently worked for Wdton Becket & Associates (1957-1968) and
Victor Gruen (1968-1961) in Los Angeles, as well as for Andre Remondet
in Paris (1961). In 1962, Frank Gehry founded his own firm, and embarked
on the design of a large variety of residential [Hillcrest Apartments
(1962), Bixby Green (1969)], commercial [Kay Jewelers Stores
(1963-1965), Joseph Magnin Stores (1968)], office [Rouse Company
Headquarters (1974)], and institutional projects.
The family proudly traced its ancestry to the Cathars, who fled to the
Jura Mountains during the Albigensian Wars of the twelfth century, and
the French Huguenots, who migrated to Switzerland following the Edict of
Nantes (1598). La Chaux-de-Fonds' tradition of offering refuge includes
both Rousseau and Bakunin.
His family's Calvinism, love of the arts, and enthusiasm for the Jura
Mountains, were all formative influences on the young Le Corbusier;
Charles L'Eplattenier, a teacher at the local art school, dominated his
education.